Tag: Movie Review
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Sweet Girl’s Mind-Boggling Twist Makes the Movie… Feminist
For the most part, ‘Sweet Girl’ recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
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The Duality of Sex Work as Shown in ‘Shiva Baby’
While not everyone may relate to the circumstances Danielle finds herself in in ‘Shiva Baby’, some are sure to understand her struggles as she is scrutinized for being a woman, a college student, an LGBT person, and a sugar baby.
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The Secret Queer Subtext of ‘An American Werewolf in London’
‘An American Werewolf in London’ possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
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‘CODA’ Is a Step Forward for Deaf Representation
CODA’ is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
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‘Better Than Chocolate’, a New Cult Classic?
‘Better Than Chocolate’ isn’t perfect, but it sure has charm! The characters are great. Some took longer to grow on me than others, but ultimately they’re all compelling! I appreciate how a select few help those around them to grow.
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4 Poker Movies to Stream on Netflix
Films about casinos have long been a favorite of Hollywood. This is unsurprising, as they’re often tied to magnetic characters whose lives revolve around luxury, spectacle, and even danger.
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‘The Suicide Squad’ Is Gory, Gratuitous, but Great
‘The Suicide Squad’ is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
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‘Jungle Cruise’ Is Fun but Has Questionable Representation
‘Jungle Cruise’ is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
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‘Legally Blonde’ Was a Woke Feminist Comedy — Then It Kind of Wasn’t
‘Legally Blonde’ remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
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Fear Street: Part One – 1994
I believe in homages, but there’s a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.