Tag: Women directors
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‘Don’t Make Me Go’ — A Basic Story With The Year’s Most Heartbreaking Ending
‘Don’t Make Me Go’ is what you would expect, Wally and her father, Max, clash tremendously and don’t understand each other. Although, it’s very heartwarming.
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‘Mr. Malcolm’s List’ Is A Lighter Version of ‘Bridgerton’
Mr. Malcolm’s List is a pleasant promenade through a fantasy Regency-era England filled with people of color. For fans of Bridgerton, this is the PG version of the show, but with completely colorblind casting and a much lighter tone.
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Women in Marvel: Marvel Films and TV Shows Dominated by Women
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
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‘Stargirl’ Shows Self Expression Among Teenagers
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli’s novel of the same name.
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‘Alice’ Doesn’t Live Here Anymore
‘Alice’ is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda ‘Django’ meets ‘Roots’ meets ‘Foxy Brown.’
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‘Happening’ Explores the Horrors of Abortions Being Illegalized
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
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Why Mean Girls 2 Is Considered a Big Flop
A teen comedy that nobody wants to see.
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Revisiting ‘A Girl Walks Home Alone at Night’: The Vamp, the Shape-shifter, and the Hybrid
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.
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Bergman Island Offers Ingmar Bergman’s Take on the Twenty First Century In Its Own Way
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
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The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.